Miriam Auteri Italy, b. 1999
The work originates from a phase of rapid, gestural drawing in which certain forms asserted themselves through repetition, leading to a transition into oil painting and a more analytical approach. The body is no longer depicted but transferred into form—into folds and tensions of matter. The title describes a condition of the surface: a structure that appears tense and compact, without clear points of rupture. Tension is distributed continuously, built through accumulation toward a saturation that has no precise moment of origin.
Join our mailing list
* denotes required fields
We will process the personal data you have supplied in accordance with our privacy policy (available on request). You can unsubscribe or change your preferences at any time by clicking the link in our emails.
