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Miart

17 - 19 April 2026 
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BAT Sculpt #10
Overview
Open a larger version of the following image in a popup: BAT Sculpt #10
Open a larger version of the following image in a popup: BAT Sculpt #7
Open a larger version of the following image in a popup: BAT Sculpt #8
Open a larger version of the following image in a popup: BAT Sculpt #9
Open a larger version of the following image in a popup: Duas facas no aparador
Open a larger version of the following image in a popup: Motivo 1
Open a larger version of the following image in a popup: Notan (a house and two other elements)
Open a larger version of the following image in a popup: Paris, 1830 (Balzac)
Open a larger version of the following image in a popup: Quatro elementos decorativos / Quattro elementi decorativi
Open a larger version of the following image in a popup: Rua Aurea 132-138
Open a larger version of the following image in a popup: Still frames de um dia de trabalho
  • BAT Sculpt #10
  • BAT Sculpt #7
  • BAT Sculpt #8
  • BAT Sculpt #9
  • Duas facas no aparador
  • Motivo 1
  • Notan (a house and two other elements)
  • Paris, 1830 (Balzac)
  • Quatro elementos decorativos / Quattro elementi decorativi
  • Rua Aurea 132-138
  • Still frames de um dia de trabalho
BAT Sculpt #10
ONE’S NATURAL HABITAT
Pedro Liñares & Leo Orta
miart 2026 — Booth F11, Level 1
Andrea Festa Fine Art presents One’s Natural Habitat, a two-person booth conceived as a dialogue between painting and sculpture, where perception unfolds through material, memory, and spatial experience.
The presentation brings together two distinct practices that converge in their attention to what is subtle, peripheral, and often overlooked. Rather than asserting fixed images or forms, both Pedro Liñares and Leo Orta approach their work as something that gradually comes into being—through processes of transformation, accumulation, and adaptation.
  • List of works
Works
  • Leo Orta BAT Sculpt #10, 2026 signed and dated 2026 verso Metal base, epoxy clay, lava stone, paint 27.5 × 28 × 9 cm
    Leo Orta
    BAT Sculpt #10, 2026
    signed and dated 2026 verso
    Metal base, epoxy clay, lava stone, paint
    27.5 × 28 × 9 cm
  • Leo Orta BAT Sculpt #7, 2026 signed and dated 2026 verso Metal base, epoxy clay, lava stone, paint 27 × 26 × 17 cm
    Leo Orta
    BAT Sculpt #7, 2026
    signed and dated 2026 verso
    Metal base, epoxy clay, lava stone, paint
    27 × 26 × 17 cm
  • Leo Orta BAT Sculpt #8, 2026 signed and dated 2026 verso Metal base, epoxy clay, lava stone, paint 28.5 × 17 × 17.5 cm
    Leo Orta
    BAT Sculpt #8, 2026
    signed and dated 2026 verso
    Metal base, epoxy clay, lava stone, paint
    28.5 × 17 × 17.5 cm
  • Leo Orta BAT Sculpt #9, 2026 signed and dated 2026 verso Metal base, epoxy clay, lava stone, paint 27 × 48 × 9 cm
    Leo Orta
    BAT Sculpt #9, 2026
    signed and dated 2026 verso
    Metal base, epoxy clay, lava stone, paint
    27 × 48 × 9 cm
  • Pedro Liñares Duas facas no aparador, 2026 signed and dated 2026 verso Oil on linen 33 x 40 cm
    Pedro Liñares
    Duas facas no aparador, 2026
    signed and dated 2026 verso
    Oil on linen
    33 x 40 cm
    Sold
  • Pedro Liñares Motivo 1, 2026 signed and dated 2026 verso Oil on linen 35 x 27 cm
    Pedro Liñares
    Motivo 1, 2026
    signed and dated 2026 verso
    Oil on linen
    35 x 27 cm
    Sold
  • Pedro Liñares Notan (a house and two other elements), 2026 signed and dated 2026 verso Oil on linen 30 x 24 cm
    Pedro Liñares
    Notan (a house and two other elements), 2026
    signed and dated 2026 verso
    Oil on linen
    30 x 24 cm
  • Pedro Liñares Paris, 1830 (Balzac), 2026 signed and dated 2026 verso Oil on linen 27 x 22 cm
    Pedro Liñares
    Paris, 1830 (Balzac), 2026
    signed and dated 2026 verso
    Oil on linen
    27 x 22 cm
    Reserved
  • Pedro Liñares Rua Aurea 132-138, 2026 signed and dated 2026 verso Oil on linen 30 x 24 cm
    Pedro Liñares
    Rua Aurea 132-138, 2026
    signed and dated 2026 verso
    Oil on linen
    30 x 24 cm
  • Pedro Liñares Quatro elementos decorativos / Quattro elementi decorativi, 2026 signed and dated 2026 verso Oil on linen 40 x 30 cm
    Pedro Liñares
    Quatro elementos decorativos / Quattro elementi decorativi, 2026
    signed and dated 2026 verso
    Oil on linen
    40 x 30 cm
  • Pedro Liñares Still frames de um dia de trabalho, 2023 signed and dated 2023 verso Oil on canvas 70 x 100 cm
    Pedro Liñares
    Still frames de um dia de trabalho, 2023
    signed and dated 2023 verso
    Oil on canvas
    70 x 100 cm
    Reserved
Installation Views
  • miart 2026 F11
    miart 2026
    F11
  • miart 2026 F11
    miart 2026
    F11
  • miart 2026 F11
    miart 2026
    F11
  • miart 2026 F11
    miart 2026
    F11
Press release
  • <span class="artist"><strong>Leo Orta</strong></span>, <span class="title"><em>BAT Sculpt #10</em>, 2026</span>
  • <span class="artist"><strong>Leo Orta</strong></span>, <span class="title"><em>BAT Sculpt #7</em>, 2026</span>
  • <span class="artist"><strong>Leo Orta</strong></span>, <span class="title"><em>BAT Sculpt #8</em>, 2026</span>
  • <span class="artist"><strong>Leo Orta</strong></span>, <span class="title"><em>BAT Sculpt #9</em>, 2026</span>
  • <span class="artist"><strong>Pedro Liñares</strong></span>, <span class="title"><em>Duas facas no aparador</em>, 2026</span>
  • <span class="artist"><strong>Pedro Liñares</strong></span>, <span class="title"><em>Motivo 1</em>, 2026</span>
  • <span class="artist"><strong>Pedro Liñares</strong></span>, <span class="title"><em>Notan (a house and two other elements)</em>, 2026</span>
  • <span class="artist"><strong>Pedro Liñares</strong></span>, <span class="title"><em>Paris, 1830 (Balzac)</em>, 2026</span>
  • <span class="artist"><strong>Pedro Liñares</strong></span>, <span class="title"><em>Rua Aurea 132-138</em>, 2026</span>
  • <span class="artist"><strong>Pedro Liñares</strong></span>, <span class="title"><em>Quatro elementos decorativos / Quattro elementi decorativi</em>, 2026</span>
View image gallery
miart 2026 — Booth F11, Level 1
17 — 19 April, 2026
 
ONE’S NATURAL HABITAT — PEDRO LIÑARES & LEO ORTA
 
Andrea Festa is pleased to present One’s Natural Habitat, a two-person presentation bringing together Pedro Liñares and Leo Orta, whose practices—while formally distinct—converge in their exploration of perception, materiality, and the subtle conditions that shape how we inhabit the world. 
 
At the core of the presentation lies a shared attention to what is often overlooked: the quiet structures of everyday experience, the latent life of materials, and the unstable boundary between the visible and the sensed.
 
Pedro Liñares’ paintings unfold through a process of accumulation and erasure, where images emerge gradually from layered, opaque surfaces. Drawing from personal surroundings—ornaments, domestic objects, fragments of architecture—his works translate memory into atmosphere. Motifs are isolated, repeated, and displaced, allowing the familiar to shift into a space of ambiguity, where perception remains suspended between recognition and abstraction. 
 
In parallel, Leo Orta’s sculptural practice engages directly with matter as a living, transformative agent. His works—often composed of recovered materials, natural fibers, and industrial remnants—develop as hybrid forms that oscillate between organic and artificial, presence and disappearance. In the *Bat Sculpt* series presented at Miart, sculpture abandons the logic of the pedestal to inhabit space more instinctively: suspended, inverted, or emerging from the architecture, echoing the spatial behaviors of the bat itself. 
 
Together, Liñares and Orta construct a dialogue between painting and sculpture that is less about representation than about conditions of experience. If Liñares works from within the surface—allowing images to surface slowly, almost archaeologically—Orta extends outward, activating space through forms that seem to evolve, adapt, and breathe.
 
One’s Natural Habitat thus proposes a reflection on how forms come into being: not as fixed entities, but as processes shaped by time, memory, and environment. Across both practices, the work resists immediacy, inviting instead a slower mode of looking—one that acknowledges uncertainty as a generative space rather than a limit.
 
Pedro Liñares (b. 1988) lives and works between Lisbon and Rio de Janeiro. He studied Visual Arts at the School of Fine Arts of the Federal University of Rio de Janeiro. He was a scholarship student at the Escola de Artes Visuais do Parque Lage. He holds a Master’s degree in Multimedia Art from the Faculty of Fine Arts at the University of Lisbon. His practice explores, through a non-narrative approach, how visual information can be repurposed to generate new meanings, examining the relationship between everyday experience and painting. His work offers glimpses of contemporary reality, foregrounding its complexity and the ambiguity of meaning from an intimate and personal perspective.  
Leo Orta (b. 1993) Lives and works in Paris, a multidisciplinary artist working across sculpture, installation, painting, and performance. A graduate of the Design Academy Eindhoven, his practice probes human relationships, material cycles, and environmental concerns. Drawing inspiration from psychoanalysis, surrealism, and industrial production, Orta employs upcycled materials to create evocative works that question sustainability and the ecological impact of contemporary life. He has exhibited internationally at venues including FRAC, K11 Guangzhou, and Frieze London. His works can be seen in Centre Pompidou & Silver Parrot Tulipe, Indépendance park, Morges.
Download press release

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Andrea Festa 

Lungotevere degli Altoviti 1

00186 Rome
+39 339 176 4625
andreafestafineart@gmail.com

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